Time Table for 12 CBSE

TIME TABLE

For 12 Class

DAY,DATE AND TIME                                                             SUBJECT NAME AND SUB-CODE
Saturday,01st March, 2014 10:30 AM
ENGLISH ELECTIVE 001
FUNCTIONAL ENGLISH 101
ENGLISH CORE 301

Tuesday,04th March, 2014 10:30 AM
HISTORY 027

Wednesday,05th March, 2014 10:30 AM
PHYSICS 042
ELECTRICAL MACHINE 623
FABRICATN.TECH-II 630
AC & REFRGTN-III 632
RADIO ENG.&AUD.SYS 635
M PROD TPT &M COOP 640
OPTICS 658
CLINICAL BIO-CHEM. 661
FUND OF NURSING II 663
RADIOGRAPHY-GENL 667
ACCOMODAT.SERVICES 691
TRAVEL TRADE MGMT 694
CONFECTIONERY 698
POULTRY PDTS& TECH 717
C HEALTH NURSING 731

Thursday,06th March, 2014 10:30 AM
BUSINESS STUDIES 054

Saturday,08th March, 2014 10:30 AM
POLITICAL SCIENCE 028
BIOTECHNOLOGY 045
ENGG. GRAPHICS 046
FOOD SERV& HYGIENE 696
CLSFN.&CATALOGUING 703
CRTV & COMM IN M M 739
LAB MEDICINES 741
RETAIL OPERATIONS 743
TRVL & TOUR OPER. 756
OLERICULTURE 763
POMOLOGY 764
FLORICULTURE 765

Monday,10th March, 2014 10:30 AM
DANCE-KATHAK 056
DANCE-BHARATNATYAM 057
DANCE-KUCHIPUDI 058
DANCE-ODISSI 059
DANCE-MANIPURI 060
DANCE-KATHAKALI 061
DANCE-MOHINIYATTAM 062
SINDHI 108

Tuesday,11th March, 2014 10:30 AM
CHEMISTRY 043
HERITAGE CRAFTS 070
OFF. COMMUNICATION 606
CONS BEHV & PROTCN 615
MGMT OF BANK OFFCE 621
APPLIED PHYSICS 625
FABRICATN.TECH-III 631
TV & VIDEO SYSTEMS 636
ELECTRICAL ENGG. 637
MILK & MILK PRODS. 639
VEGETABLE CULTURE 642
B THERAPY&HAIR DES 654
BIOLOGY-OPTHALMIC 657
LAB MEDICINES 660
RADIATION PHYSICS 666
ADVANCE FOOD PREP 675
DESG & PAT MAKING 685
DYEING & PRINTING 688
FOOD PREPARATION 690
INDIA-TOURIST DEST 693
PRIN &PRA-LIFE INS 705
POULTRY NUTR & PHY 716
INT TO FINANCL MKT 723
H EDN & PUB HEALTH 728
FOOD& BEV C & CNTL 737
INTD TO HOSP. MGMT 757

Thursday,13th March, 2014 10:30 AM
HINDI ELECTIVE 002
KNOW TRAD & PRAC. 073
TAMIL 106
GUJARATI 110
MALAYALAM 112
ODIA 113
ASSAMESE 114
TIBETAN 117
GERMAN 120
PERSIAN 123
NEPALI 124
LIMBOO 125
LEPCHA 126
BODO 192
TANGKHUL 193
JAPANESE 194
BHUTIA 195
BHASA MELAYU 199
HINDI CORE 302

Saturday,15th March, 2014 10:30 AM
BIOLOGY 044
RUSSIAN 121
SPANISH 196
KASHMIRI 197
ELE.COST A/C & AUD 612
SALESMANSHIP 614
STORE ACCOUNTING 618
MECH. ENGINEERING 626
AUTO ENGINEERING 627
AC & REFRGTN-IV 633
YOGA ANATOMY &PHYS 656
MEAL PLNG & SERVIC 676
CLOTHING CONST 686
BASIC DESIGN 687
FOOD & BEV SERV. 692
TOUR MGMT & MP PLN 695
REFERENCE SERVICE 704

Thursday,20th March, 2014 10:30 AM
MATHEMATICS 041
SECT PRAC & ACCNTG 605
CIVIL ENGINEERING 629
FLORICULTURE 643
COSMETIC CHEMISTRY 655
OPHTHALMIC TECH. 659
MICROBIOLOGY 662
MAT.&CHILD H.NURII 665
RADIOGRAPHY-SPL 668
TEXTILE SCIENCE 684
BAKERY SCIENCE 697
TPT. SYSTEMS &MGMT 712
POULTRY DISE & CNT 718
FIRST AID &MEDCL C 730
HEALTH CENTRE MGMT 733
DIAGNOST RADIOLOGY 742

Saturday,22nd March, 2014 10:30 AM
INFORMATICS PRAC. 065
COMPUTER SCIENCE 083

Monday,24th March, 2014 10:30 AM
PHYSICAL EDUCATION 048

Wednesday,26th March, 2014 10:30 AM
ECONOMICS 030
ELECT APPLIANCES 624
ESTB & MGMT OF FSU 677
HORTICULTURE 762

Friday,28th March, 2014 10:30 AM
MULTIMEDIA & WEB T 067
TYPOGRAPHY &CA ENG 607
TYPOGRAPHY &CA HIN 609
LENDING OPERATIONS 620
AUTOSHOP REP& PRAC 628
FOOD PRODUCTION IV 735

Saturday,29th March, 2014 10:30 AM
GEOGRAPHY 029
I T SYSTEM 699

Tuesday,01st April, 2014 10:30 AM
ACCOUNTANCY 055

Wednesday,02nd April, 2014 10:30 AM
FASHION STUDIES 053
MASS MEDIA STUDIES 072
SHORTHAND ENGLISH 608
SHORTHAND HINDI 610
ENGINEERING SCI. 622
ELN.DEV.& CIRCUITS 634
DAIRY PLANT INSTRU 641

Thursday,03rd April, 2014 10:30 AM
SANSKRIT ELECTIVE 022
BENGALI 105
TELUGU 107
MARATHI 109
ARABIC 116
FRENCH 118
MIZO 198
SANSKRIT CORE 322
MARKETING 613
BUSINESS DATA PROC 700
EVOL & FORMS M M 738

Friday,04th April, 2014 10:30 AM
PUNJABI 104
MANIPURI 111
FOOD PRODUCTIONIII 734

Wednesday,09th April, 2014 10:30 AM
URDU ELECTIVE 003
MUSIC CAR.VOCAL 031
MUSIC CAR.INS.MEL. 032
MUSIC CAR.INS.PER. 033
MUSIC HIND.VOCAL 034
MUSIC HIND.INS.MEL 035
MUSIC HIND.INS.PER 036
URDU CORE 303

Thursday,10th April, 2014 10:30 AM
SOCIOLOGY 039
GRAPHIC DESIGN 071
DTP CAD & MULTIMED 701
B P O SKILLS 724

Friday,11th April, 2014 10:30 AM
HOME SCIENCE 064
KANNADA 115

Saturday,12th April, 2014 10:30 AM
PHILOSOPHY 040
ENTREPRENEURSHIP 066
OFFCE PROC.& PRAC. 604
CASH MGMT & H-KEEP 619
POST HARV TECH&PRS 644
COMM. HEALTH NURII 664
LIB. ADMN & MGMT. 702
COMPUTER& LIFE I A 706
B CONCEPT-H &MED T 729
MIDWIFERY 732
FOOD SERVICES II 736
GEOSPATIAL TECH 740

Wednesday,16th April, 2014 10:30 AM
PSYCHOLOGY 037
FINANCIAL ACCNTG 611

Thursday,17th April, 2014 10:30 AM
PAINTING 049
GRAPHICS 050
SCULPTURE 051
APP/COMMERCIAL ART 052
AGRICULTURE 068
CR WRTNG TR STUDY 069

From CBSE

And Best Of Luck

Biography of Samuel Taylor Coleridge

Samuel Taylor Coleridge (21 October 1772 – 25 July 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including the celebrated suspension of disbelief. He was a major influence on Emerson, and American transcendentalism.

Throughout his adult life, Coleridge suffered from crippling bouts of anxiety and depression; it has been speculated by some that he suffered from bipolar disorder, a condition not identified during his lifetime.[1] Coleridge suffered from poor health that may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these concerns with laudanum, which fostered a lifelong opium addiction.

Biography of Percy Bysshe Shelley

Percy Bysshe Shelley (/ˈpɜrsi ˈbɪʃ ˈʃɛli/; 4 August 1792 – 8 July 1822) was one of the major English Romantic poets and is regarded by critics as among the finest lyric poets in the English language. A radical in his poetry as well as his political and social views, Shelley did not achieve fame during his lifetime, but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron; Leigh Hunt; Thomas Love Peacock; and his own second wife, Mary Shelley, the author of Frankenstein.

Shelley is perhaps best known for such classic poems as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud and The Masque of Anarchy. His other major works include long, visionary poems such as Queen Mab (later reworked as The Daemon of the World), Alastor, The Revolt of Islam, Adonaïs, the unfinished work The Triumph of Life; and the visionary verse dramas The Cenci (1819) and Prometheus Unbound (1820).

His close circle of admirers, however, included some progressive thinkers of the day, including his future father-in-law, the philosopher William Godwin. Though Shelley's poetry and prose output remained steady throughout his life, most publishers and journals declined to publish his work for fear of being arrested themselves for blasphemy or sedition. Shelley did not live to see success and influence, although these reach down to the present day not only in literature, but in major movements in social and political thought.

Shelley became an idol of the next three or four generations of poets, including important Victorian and Pre-Raphaelite poets such as Robert Browning and Dante Gabriel Rossetti. He was admired by Oscar Wilde, Thomas Hardy, George Bernard Shaw, Bertrand Russell, W. B. Yeats, Karl Marx, Upton Sinclair and Isadora Duncan. Henry David Thoreau's civil disobedience was apparently influenced by Shelley's non-violence in protest and political action.

D.H.Lawrence

David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct.

Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."[ At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. Lawrence is now valued by many as a visionary thinker and significant representative of modernism in English literature.

Summary of Poem OZYMANDIAS

Summary of OZYMANDIAS

Ozymandias, the most outstanding political sonnet written by P.B. Shelley throws light on the power of time. Nothing can beat the time. It treats everyone equally whether rich or poor, king or beggar.

The poem is an account of the meeting and conversation between the poet and the narrator. The narrator had just returned from an antique and unique land. The poem begins with the traveller telling the poet that he had seen a vast but ruined statue, where stood two giant legs, isolated in the desert. The face was sunk in the sand, frowning and sneering. The sculptor interpreted his subject well. There also was a pedestal at the statue, where the traveller noticed that the statue read “Ozymandias, King of Kings.” Through the note written on pedestal, the traveller came to know that he was a powerful king named Ozymandias who could not face the powers of time. His strength, works or ego - nothing had remained. He had been perished by the storm of time and was now standing trunk-lessin vast desert. The expressions noticed by the traveller were those of frown and ignorant pride. It could well be understood that the ruler was tyrannous. 

The poem conveys the message that man is mortal. He might be proud of his powers but the reality is far more cruel that everything comes to an end as the time keeps on moving and changing. Immortality is the fact concerned with views, time, poetry and goodness only. Thus, Shelley points out very well the power of time. He says that how much ever the emperor might be cruel and powerful in his own time, the race with time can never be won. 

Finally, we cannot miss the general comment on human vanity in the poem. It is not just the “mighty” who desire to withstand time; it is common for people to seek immortality and to resist death and decay. Furthermore, the sculptor himself gets attention and praise that used to be deserved by the king, for all that Ozymandias achieved has now “decayed” into almost nothing, while the sculpture has lasted long enough to make it into poetry. In a way, the artist has become more powerful than the king. The only things that “survive” are the artist’s records of the king’s passion, carved into the stone. 

Perhaps Shelley chose the medium of poetry in order to create something more powerful and lasting than what politics could achieve, all the while understanding that words too will eventually pass away. Unlike many of his poems, “Ozymandias” does not end on a note of hope. There is no extra stanza or concluding couplet to honour the fleeting joys of knowledge or to hope in human progress. Instead, the traveller has nothing more to say, and the persona draws no conclusions of his own.

Summary of Poem "THE SNAKE"

Summary of Poem The Snake

He poem is more or less like an ode, celebrating the encounter of the poet with a snake that came as a trespass into his domain for water. The poem starts by revealing the event, the time and the atmosphere. The snake in satisfying its urge for water went to the poets “water – trough” on “hot day”. Also, the poet who is the owner of the water through came for the same purpose in his pyjamas to avoid the “heat”. The poet is said to be coming from his “strange – scented shade” with a “pitcher” in his hand. On getting to his water – through, meeting the snake, he sees it as an obligation to “stand and wait” for the snake because it was there before it. The snake whose origin was from a fissure in the earth –wall, slitherslowly with its “yellow – brown” “soft belly” to the “edge of the stone trough”. The stone rested its “throat upon the stone bottom” and started drinking softly its mouth into “his slack long body”. The poet referred to himself s a “second comer” waiting for the snake to finish drinking. The poet while watching observed its mode of drinking and described it as that of cattle. The poet said inline 15 – 19 that the snake “lifted is throat from his drinking, as cattle do, and

Looked at him vaguely, as drinking cattle do” All these the snake did without giving notice or concentration to whom might be watching. The poet recollected the “voice” of his education and said to him that he must kill the snake, “for in Sicily the black, black snakes are innocent, the gold a re ve nomo us ”. Th is implies that th e poet beli efs that bl ac k snakes ar e harmless while gold snakes are harmful, making an allusion to “Sicilian July “and “Etna smoking”, which are both historical events. The echo of his voices empted him to kill the snake if he were really a man, but which he latter refused, believing that the snake should “should seek hospitality” in him. For sparing the snake, the poet felt so honoured.The snake having considered been hospitalized, “drank enough and lifted its head” “and flickered his tongue”. After reaching the peak of its satisfaction, the snake turned around slowly with its long curved body towards the direction of it s orig in . The snake moved in slowly into th e hole wi th ou t any fe ar . Suddenly, the poet looked around and put down his pitcher, “picked up c lumsy log and threw it at the water-trough”. This was done to kill the snakebut it did not. The snake hearing the “clatter” hastily moved in its remaining body “into the black hole”. At t he di s ap peara nc e of the snake, t he po et re g re t te d h is ac t io n immediately and blamed himself for acting the way he did. He placed the blame on the voice of his education to have lured him into it and feared not to pay forhis negative action like the sailor that killed “the albatross”. The poet afterregretting wished the snake could come back for him to crown it like a king but believed it would never do so and sees it “like a king in exile”. The poet concluded by feeling that he has to make an amendment.

Summary of THE RIME OF THE ANCIENT MARINER

Summary of The Rime Of Ancient Mariner

Three guys are on the way to a wedding celebration when an old sailor (the Mariner) stops one of them at the door (we 'll call him the Wedding Guest). Using his hypnotic eyes to hold the attention of the Wedding Guest, he starts telling a story about a disastrous journey he took. The Wedding Guest really wants to go party, but he can 't pry himself away from this grizzled old mariner. The Mariner begins his story. They left port, and the ship sailed down near Antarctica to get away from a bad storm, but then they get caught in a dangerous, foggy ice field. An albatross shows up to steer them through the fog and provide good winds, but then the Mariner decides to shoot it. Oops.

Pretty soon the sailors lose their wind, and it gets really hot. They run out of water, and everyone blames the Mariner. The ship seems to be haunted by a bad spirit, and weird stuff starts appearing, like slimy creatures that walk on the ocean. The Mariner 's crewmates decide to hang the dead albatross around his neck to remind him of his error.

Everyone is literally dying of thirst. The Mariner sees another ship 's sail at a distance. He wants to yell out, but his mouth is too dry, so he sucks some of his own blood to moisten his lips. He 's like, "A ship! We 're saved." Sadly, the ship is a ghost ship piloted by two spirits, Death and Life-in-Death, who have to be the last people you 'd want to meet on a journey. Everyone on the Mariner 's ship dies.

The wedding guest realizes, "Ah! You 're a ghost!" But the Mariner says, "Well, actually, I was the only one who didn 't die." He continues his story: he 's on a boat with a lot of dead bodies, surrounded by an ocean full of slimy things. Worse, these slimy things are nasty water snakes. But the Mariner escapes his curse by unconsciously blessing the hideous snakes, and the albatross drops off his neck into the ocean.

The Mariner falls into a sweet sleep, and it finally rains when he wakes up. A storm strikes up in the distance, and all the dead sailors rise like zombies to pilot the ship. The sailors don 't actually come back to life. Instead, angels fill their bodies, and another supernatural spirit under the ocean seems to push the boat. The Mariner faints and hears two voices talking about how he killed the albatross and still has more penance to do. These two mysterious voices explain how the ship is moving.

After a speedy journey, the ship ends up back in port again. The Mariner sees angels standing next to the bodies of all his crewmates. Then a rescue boat shows up to take him back to shore. The Mariner is happy that a guy called "the hermit" is on the rescue boat. The hermit is in a good mood. All of a sudden there 's a loud noise, and the Mariner 's ship sinks. The hermit 's boat picks up the Mariner.

When they get on shore, the Mariner is desperate to tell his story to the hermit. He feels a terrible pain until the story had been told.

In fact, the Mariner says that he still has the same painful need to tell his story, which is why he stopped the Wedding Guest on this occasion. Wrapping up, the Mariner tells the Wedding Guest that he needs to learn how to say his prayers and love other people and things. Then the Mariner leaves, and the Wedding Guest no longer wants to enter the wedding. He goes home and wakes up the next day, as the famous last lines go, "a sadder and a wiser man."

10 board CBSE exam's Time Table

TIME TABLE

For 10 class

DAY,DATE AND TIME                                                           SUBJECT NAME AND SUB-CODE

Saturday,01st March, 2014 10:30 AM

TAMIL 006

SINDHI 008
MARATHI 009
RUSSIAN 021
PAINTING 049
SPANISH 096
KASHMIRI 097

Monday,03rd March, 2014 10:30 AM
MATHEMATICS 041

Tuesday,04th March, 2014 10:30 AM
HOME SCIENCE 064

Wednesday,05th March, 2014 10:30 AM
HINDI COURSE-A 002
HINDI COURSE-B 085

Friday,07th March, 2014 10:30 AM
ENGLISH COMM. 101
ENGLISH LNG & LIT. 184

Saturday,08th March, 2014 10:30 AM
MUSIC CAR.VOCAL 031
MUSIC CAR.INS.MEL. 032
MUSIC CAR.INS.PER. 033
MUSIC HIND.VOCAL 034
MUSIC HIND.INS.MEL 035
MUSIC HIND.INS.PER 036
ELEM. OF BUSINESS 154
ELEM BOOK-K & ACCY 254
E-TYPEWRITING-ENG 354
E-TYPEWRITING-HIN 454

Monday,10th March, 2014 10:30 AM
SCIENCE-THEORY 086

Tuesday,11th March, 2014 10:30 AM
FOUNDATION OF I T 165

Wednesday,12th March, 2014 10:30 AM
PUNJABI 004
MALAYALAM 012
ODIA 013
KANNADA 015
Friday,14th March, 2014 10:30 AM
SOCIAL SCIENCE 087

Saturday,15th March, 2014 10:30 AM
URDU COURSE-A 003
BENGALI 005
TELUGU 007
GUJARATI 010
MANIPURI 011
ASSAMESE 014
ARABIC 016
TIBETAN 017
FRENCH 018
GERMAN 020
PERSIAN 023
NEPALI 024
LIMBOO 025
LEPCHA 026
BODO 092
TANGKHUL 093
JAPANESE 094
BHUTIA 095
MIZO 098
BAHASA MELAYU 099
COMM. SANSKRIT 122
URDU COURSE-B 303

Wednesday,19th March, 2014 10:30 AM
DYNAMICS RETAIL(O) 401
INFO TECHNOLOGY(O) 402
SECURITY(O) 403
AUTOMOBILE TECH(O) 404
DYNAMICS RETAIL(C) 461
INFO TECHNOLOGY(C) 462
SECURITY(C) 463

AUTOMOBILE TECH(C) 464

And BEST OF LUCK For ur Exam